A quick, basic rough and ready guide to recording studio theory by a professional sound studio engineer
Tag archive for ‘theory’
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Recording Studio Theory
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Mix a pop song – 9 – Track Sharing
Finally, if certain tracks have more than one instrument part on them (“track-sharing” is a common practice if the number of tracks you have is limited), then it is extremely likely that the different parts will need different levels, EQ, and effects on them (although if you’ve read my article on setting recording levels, you […]
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Mix a pop song – 8 – Equalisation and Processing The Main Parts
As a summary of the above, and using the above-mentioned techniques, I’ll describe how you apply them to each track, along with other techniques such as compression. Firstly, for each instrument, see whether you need to do any “safety” EQ. By safety EQ I mean rolling off either or both of the top and bottom […]
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Mix a pop song – 7g – Auto Mix Levelling
Every mix engineer is familiar with the problem of individual parts of a mix suddenly “leaping out” on certain notes and “taking over” a mix. Modern mixing consoles provide automation to cope with this. But is this really the solution? If you’ve had much experience of this at all, then you will recognise that it […]
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Mix a pop song – 7f – Creating Mix Room
This is really something that came out of the “Tamla Motown” mixing scene, when people first realised that EQ was just as much a creative tool as a technical one. I’m not a big fan of this, even though I know that other people use it a lot. The idea behind “creating mix room” is […]